Audio-Technica AT2020 | Condenser Microphone

Great for instruments or vocals with extended frequency response.

The AT2020 from Audio-Technica is a versatile side-address cardioid condenser microphone. With high SPL handling and a wide dynamic range, this microphone is ideal for project/home-studio applications.

Audio-Technica's stringent quality and consistency standards set the AT2020 apart from other mics in its class. The cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. A custom-engineered 16mm low-mass diaphragm provides extended frequency response and superior transient response.

The AT2020 runs on phantom power, and will attach securely to your stand for easy and precise placement. Where price and performance are concerned, the Audio-Technica AT2020 is the standard in side-address audio condenser microphone technology.

The price/performance standard in side-address studio condenser microphone technology
Ideal for project/home-studio applications
High SPL handling and wide dynamic range provide unmatched versatility
Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response
Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source
Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone

Applications for the Audio-Technica AT2020

Choir Microphone
- Mount the mics on tall boom stands in front of the choir. This always works best with a stage riser. Use 3 or 4 AT2020 for a small to mid sized choir of 12 to 24 members. See more about miking a choir.
Acoustic Guitar Microphone
- Mount the AT2020 on a boom stand and position @ the 12th fret and aim back toward the sound hole. You may need to use an equalizer to remove some of the low mid frequencies to taste and watch the gain if using live.
Drum Overhead Microphones
- Mount (2) AT2020 microphones on (2) boom stands in front of the drum set aim down toward the left and right front of the kit. Try to get as high above the kit as possible to even out the different distances of the cymbals, toms and even the snare that will end up in the overheads. Remember the overhead mics are the most critical drum mics in the mix if used correctly.
Small Vocal Ensemble Microphone/s
- Mount (1) AT2020 for mono or (2) for stereo (or more mono coverage) on stands in front of the group.